At the show with the artist: Peter Sutherland asks Maia Ruth Lee about energyby Stefano Pirovano
At Rodolphe Janssen, Peter Sutherland tests the Law of Reversed Effect
In dialogue with Nick Darmstaedter and his visual manipulation of masculinity in 1972
In dialogue with François Odermatt and the instinctive side of collecting
Graham Green to prove that art is not a progression, but an addition creating a culture
Why the Still House’s strikes differ from Fontana, Burri and César