When Marcel Duchamp explained how a ready-made is to be madeby Stefano PirovanoHere is a transcription and English version of the letter by which Marcel Duchamp founded the 'ready-made' practice. It all started as a gift to his sister Suzanne.
Louis Osmosis is staging a social comedyby Carlo PradaLouis Osmosis contextualizes each element by what is next to it, so as to make interpretation potentially endless
Nevine Mahmoud: the implications of pleasureby Niccolò GravinaThe heart of the practice of Nevine Mahmoud is the expressive recreation of a symbolic process which takes shape in the encounter with her work
Cassidy Toner, gambling as a career planby Paolo BaggiCassidy Toner stages repeated artistic misfires to better diffuse anxiety, pressure to perform, or the legibility of an artwork
Symbol by symbol, dust piles upby Silvia TomasiRead about artists' obsession with dust, from enigmatic depictions in 16th and 17th century painting to post-war imagery and symbols
Ser Serpas walksby Dora BudorSer Serpas skims the surfaces of the streets and lots, "attempting to rip something from the refuse piles"
Huang Yu and the multiplicity of Chinese art scenesby Ricko LeungWe interviewed Huang Yu, Chinese art collector and co-founder of Art Chengdu International Contemporary Art Fair, to learn how he turned a business into a feeling.
Margaret Lee: What You See Is What You Meanby Emile RubinoThinking through Margaret Lee’s recent paintings in light of the compound visual language the artist has been developing over the past decade.
What are combs for besides untying knots?by Silvia TomasiThe answer to combs collecting lies in the artists' creativity, from the Etruscans, to Füssli, Man Ray, Picasso, Dalí, Calder...
