A history of light in Renaissance art through Olafur Eliassonby Arturo GalansinoThe current show of Olafur Eliasson "In Our Time" at Palazzo Strozzi is the ground onto which to build a history of light in the Renaissance
Sandro Botticelli: portraiture as a lost paradiseby Antonio CarnevaleBotticelli's portraits bring us to the golden age of his life, preluding his dramatic fall into debts and oblivion.
Sol LeWitt legacy comes to light at Fondazione Carrieroby Stefano PirovanoAn exhibition at Fondazione Carriero questions Sol LeWitt long lasting method. But is still the idea the most important aspect of the artwork?
Rome: does Parmigianino’ Man with a book remind you of any contemporary art dealer?by Stefano Pirovano
Art damaged by calamities or human stupidity: Friends of Florence awards restorers to save itby Stefano Pirovano
Art collector Luigi Magnani: “I am not friend with antique dealers, I don’t attend auctions, I don’t visit exhibitions”by Antonio Carnevale
An instructive exhibition dedicated to all those contemporary art collectors who are inflating the bubble
Cecco Bravo and a 17th-century subsoil beautyby Francesca BaldassarriCecco Bravo is dramatic and mysterious, feeding on hallucinatory eccentricity to make the viewer feeling part of the scene.
Lippo di Dalmasio: pop without knowing itby Carlo PradaLippo di Dalmasio degli Scannabecchi painted in series, signed his works and was a self-promoter, like the masters of the US boom
