The sleeping enigma of the Arundel Pietà by Cosimo Rosselliby Davide Civettini (from Nuovi Studi 26, 2021 anno XXVI)In the castle of the Dukes of Norfolk, one of the greatest enigmas of the Florentine Quattrocento lives: a Pietà attributed to Cosimo Rosselli
Raffaele Mattioli, a patron of humanist cultureby Barbara CostaAn exhibition at the Gallerie d'Italia explores the collecting of the great bankers, from the Medici to the Rothschilds, via Raffaele Mattioli
A poet praised for his silence: Girolamo Casio painted by Boltraffioby Cristina Quattrini (from Nuovi Studi 26, 2021 anno XXVI)A new interpretation of the “Allegory of Girolamo Casio” by Boltraffio, which celebrated the poet’s gift for silence and loyalty to the Medici
A history of light in Renaissance art through Olafur Eliassonby Arturo GalansinoThe current show of Olafur Eliasson "In Our Time" at Palazzo Strozzi is the ground onto which to build a history of light in the Renaissance
Is it really the time to buy old masters?by Stefano PirovanoThe wisdom of collecting old masters today, explained in four compelling arguments (that we didn't already know)
The artistic fate of the windby Silvia TomasiOver the centuries, the wind has always been an iconographic presence for artists, touching upon fate, religion, chaos, love, and nature
Masolino in Castiglione Olona: a discreet European art jewelby Stefano PirovanoWe paid a visit to Masolino in Castiglione Olona, to study his masterpiece and refresh the dream of Cardinal Branda Castiglioni, who was able to turn a small village into a vibrant cultural hub.
At Tefaf 2018 oysters instead of tulipsby Stefano PirovanoTefaf 2018. Maastricht is cleverly evolving. The fair becomes lighter, sexier and even more exclusive. But the key remains the same: absolute quality.
Restorer Umberto Senserini reveals outcome of Piero della Francesca’ Resurrection cleaningby Antonio Carnevale