Lippo di Dalmasio: pop without knowing itby Carlo PradaLippo di Dalmasio degli Scannabecchi painted in series, signed his works and was a self-promoter, like the masters of the US boom
Symbol by symbol, dust piles upby Silvia TomasiRead about artists' obsession with dust, from enigmatic depictions in 16th and 17th century painting to post-war imagery and symbols
The best six art fabricatorsby Piero BiselloHere is a list of the world's best art fabricators, showing that behind the most ambitious works there is often an exceptional technique
Lucy Stein: Digitalis purpurea, a re(in)trospectiveby Stefano PirovanoVieni! E fu molta la dolcezza! molta! / tanta, che, vedi… (l’altra lo stupore / alza degli occhi, e vede ora, ed ascolta / con un suo lungo brivido…) si muore!„
Sol LeWitt legacy comes to light at Fondazione Carrieroby Stefano PirovanoAn exhibition at Fondazione Carriero questions Sol LeWitt long lasting method. But is still the idea the most important aspect of the artwork?
“I’ve always done parodies of what a painting is supposed to be”by Paul LasterAshley Bickerton first retrospective show is taking place in New York. CFA interviewed the artist to understand what happened to his art during the past 30 years.
Kristof Kintera and human’s monumental smallnessby Stefano PirovanoA show at Collezione Maramotti shed some light on the fascination of Kristof Kintera for representing human individualism and foolish ambitions.
Mona Hatoum at the Tate Modern: are female artists saving the future of contemporary art?by Geoff Hands
Collector Luiz Augusto Teixeira de Freitas: “Too much art is produced just to feed the market”by Stefano Pirovano
