Guillaume Dénervaud: as beautiful as post-apocalyptic can beby Samuel HaitzGuillaume Dénervaud forms a delicate interpretation of a post-apocalyptic scenery, managing the effects of our carelessness towards our environment
Rediscovered Belisarius: a work by Legnanino for Prince of Carignanoby Luca Fiorentino (from Nuovi Studi 26, 2021 anno XXVI)A large canvas by Legnanino representing Roman leader Belisarius has recently been discovered in a private collection
Luca Giordano, Fapresto, Famolto, Proteoby Silvia TomasiRibera, Caravaggio, Rubens, Dürer, Veronese and Titian revive in the art of Luca Giordano, turned into elements for a new painting style.
Giambattista Tiepolo: escaping the museum roomby Antonio CarnevaleTiepolo's painting lives outside museums, inseparable from the places for which it was created. Here is a comprehensive map.
Rodolpho Parigi: an interview with the virtuosoby Maria do Carmo M. P. de PontesRodolpho Parigi can paint whatever he wants. But the big problem, even for him, is choosing what is really worth representing.
Velázquez and why even masterpieces need titlesby Antonio CarnevaleLa Meninas is Velázquez's most famous masterpiece. However, another of his paintings shows us how words can change our view on artworks.
Best museum displays: it’s time to go back to our rootsby Stefano PirovanoA virtual journey through museum displays that have marked European art history. Enforced closure may soon offer an opportunity to spark a debate.
The last Caravaggio: heirs and new mastersby Stefano PirovanoAn exhibition clarifies how Giulio Cesare Procaccini and Bernardo Strozzi perceived the last Caravaggio. Are art historians prone to the anchoring effect?
