Andrzej Steinbach, a tautology of the idealby Stefano PirovanoAndrzej Steinbach invites us to relate to our systems of meaning allocation, so that images can vibrate free and open to understanding
Frankenstein Magazine is out for a gameby Stefano PirovanoIf you are tired of being stuck at home, a comic book with no comic book artist is there to help win over today's mental numbness
Lucy Stein: Digitalis purpurea, a re(in)trospectiveby Stefano PirovanoVieni! E fu molta la dolcezza! molta! / tanta, che, vedi… (l’altra lo stupore / alza degli occhi, e vede ora, ed ascolta / con un suo lungo brivido…) si muore!„
How Pablo Bronstein could help Turin to become the new Berlinby Stefano PirovanoPablo Bronstein's current exhibition at Franco Noero's new gallery space in Turin is a message to the city. Who will get it first?
Judith Bernstein: Men have the organ, but they don’t own the imageby Paul LasterFeminist pioneer Judith Bernstein points the finger at Donald Trump, but her solo show at the Drawing Center in NY is not just about him. It's about us.
An interview with Hans-Adam II Prince of Liechtensteinby Stefano PirovanoPrince of Liechtenstein Hans-Adam II talks about his approach to art collecting and gives some insight about Ginevra Benci portrait by Leonardo.
Interview with Johann Kraeftner to learn about the Prince Hans Adam II revolution at the Liechtenstein Museum
Zurich, the Art Weekend’s capitalby Guido FurbescoYou need to know Zurich's background to understand why its Art Weekend is more than just the smartest preface to Art Basel
