Timetable

On the creative mentality of Patrick Weldé

Othman Lazraq, director of MACAAL in Marrakech (an interview)

In memory of Herman Daled, beyond his collection

Sketches of revolution: back to Zurich’s Strauhof in the 1970s

Ambiguity of time and space in Wang Zhibo’s painting

Margaret Lee: What You See Is What You Mean

Cinzia Ruggeri by Dino Buzzati (anno 1960)

Ana Elisa Egreja: painting the texture of things

Lynn Fung and the fascinating, authentic and rare Liang Yi Museum

Contemplating Trifles with Fernando Marques Penteado

Andrea Romano, Potsherds of Gazes (second book)

Art hotels: cultural experiences wanted

Raphaela Vogel: unification of the manifold

Villa Lena (Evstafieva) + Jerome Hadey: a cultural experience

Rodolpho Parigi: an interview with the virtuoso

Marina Pinsky: it’s the images that are worth repeating

A suspicious dialogue between artists Francesco João and Sven Sachsalber

Francesco Clemente, iconology of “il mio corpo è rosso per formaggio”

Emerging artists to watch: Kaoru Arima and his facial (un)recognition

Emmanuel Nassar: art is the illegal exercise of all the professions

Velázquez and why even masterpieces need titles

Daniele Milvio: twenty ink drawings

From Victoria Colmegna to Victoria Colmegna

From grades to tales: how Pop Art undermined the art writer

Sylvain Bellenger on the online future of museums

Culture will save the art market, not a viewing room

Global Cows 2020

Top 10 artist websites

Honoré de Balzac’s Frenhofer and his Unknown Masterpiece

Joanna Kamm on the present of emerging art (an interview)

Lucy Stein: Digitalis purpurea, a re(in)trospective