Tang Dynasty, a Chinese renaissanceby Ma SenTang dynasty was the cradle of Chinese civilisation, which grew through a strong economic expansion, that was also cultural one*
Norton Simon: an American artist visits LA’s crown jewelby Daniel Graham Loxton*An essential introduction to Norton Simon, masterful art collector during America’s mid-century cultural emergence
Romeo Gómez López: critique of a conservatory natureby Samantha OzerWorking across media, artist Romeo Gómez López approaches culture with erotic vision and unexpected parallels
Lippo di Dalmasio: pop without knowing itby Carlo PradaLippo di Dalmasio degli Scannabecchi painted in series, signed his works and was a self-promoter, like the masters of the US boom
Armin Lorenz Gerold: The city unfolds in soundby Dara JochumBy using text, alongside sculpture, video, and installation Armin Lorenz Gerold seeks not just to make sound visible, but to forge a different kind of image.
Peggy Franck: breath slowlyby Stefano PirovanoWith Peggy Franck and existence in the process of defining identity that we feed by working, or by expanding painting
Room #3 (Fischli, João, Coltorti, d’Orgeval)by Antonio de MartinoClaudio Coltorti, Martin d’Orgeval, Gina Fischli and Francesco Joao create an hangover scenario, trying to paste together all that happened (Hussenot at CFAlive)
Traveling for the Master of the Corsi Crucifixionby Carlo PradaAn itinerary that starts with the Master of the Corsi Crucifixion and leads to an important series of Giottesque crucifixes
Lotte Andersen and the forces that lead us through historyby Samantha OzerLotte Andersen questions cultural symbols that normalise past narratives of identity, power, oppression and privilege
Daniel Graham Loxton on Aelbert Cuyp at The Metropolitan Museumby Daniel Graham LoxtonAt the show with the artist: Daniel Graham Loxton visits the Dutch Masters at The Met and meets Aelbert Cuyp, after sketching him as a student
Guillaume Dénervaud: as beautiful as post-apocalyptic can beby Samuel HaitzGuillaume Dénervaud forms a delicate interpretation of a post-apocalyptic scenery, managing the effects of our carelessness towards our environment
A Spanish copper by Bartolomeo Cavarozziby Giuseppe Porzio (from Nuovi Studi 26, 2021 anno XXVI)A hitherto anonymous and unpublished copper painting offers new evidence of Bartolomeo Cavarozzi's stay in Spain
Nevine Mahmoud: the implications of pleasureby Niccolò GravinaThe heart of the practice of Nevine Mahmoud is the expressive recreation of a symbolic process which takes shape in the encounter with her work
Maren Karlson: effects and defectsby Stefano PirovanoMaren Karlson studies continuity between human being and environment, science and spirituality, individual and collective body
Hanne Lippard: “The mouth is always my favourite medium”by Lilou VidalA portrait of Hanne Lippard, an artist whose text- and performance-based work reveals the emotional and political values of semantics
Alexandra Metcalf and the totalities of current lifeby Piero BiselloA take on the recent artworks by New York-based Alexandra Metcalf: the crafts, the themes, the feels, the wonders
Laura Langer: coordinates, constellations, corporealityby Luzie MeyerBoth in its formal explorations and in its content matter, the work of Laura Langer, like that of a poet, is driven subconsciously
Doris Guo: traces of people, places, and politicsby Victoria DurnakFrom the relationship between mother and daughter to Sino-American culture, which Doris Guo resolves with the grace of the concept
Rediscovered Belisarius: a work by Legnanino for Prince of Carignanoby Luca Fiorentino (from Nuovi Studi 26, 2021 anno XXVI)A large canvas by Legnanino representing Roman leader Belisarius has recently been discovered in a private collection
Institutional negotiations: on the art of Daniel de Paulaby Jacopo Crivelli ViscontiSocietal commentary permeates the neo-conceptualism of Brazilian artist Daniel de Paula, evoking art's potential in the polis of today
