Milan 1487: Bernardo Zenale and Jacopino de Mottisby Laura Paola Gnaccolini (from Nuovi Studi 27, 2022-2023 anno XXVII-XXVIII) A new attribution to Bernardo Zenale and Jacopino de’ Mottis, who rented a workshop together for working at the city's Cathedral
A Flemish trace for the Madonna Cagnola’s master (Zanetto Bugatto)by Massimo Medica (from Nuovi Studi 27, 2022-2023 anno XXVII-XXVIII)A new attribution to the Master of the Cagnola Madonna, identified by the most recent scholarship as the Lombard artist Zanetto Bugatto.
Alexandru Chira and the inhabitable artistic edificeby Georgiana ButAlexandru Chira used drawing to build an articulated architecture for signification, intended for spiritual habitation
Arte Povera: six documentaries (part one)by Francisca Parrino & Stefano PirovanoThe stars of Arte Povera portrayed in six documentaries, available for streaming thanks to a review curated in collaboration with Audiovisiva
Lippo di Dalmasio: pop without knowing itby Carlo PradaLippo di Dalmasio degli Scannabecchi painted in series, signed his works and was a self-promoter, like the masters of the US boom
Traveling for the Master of the Corsi Crucifixionby Carlo PradaAn itinerary that starts with the Master of the Corsi Crucifixion and leads to an important series of Giottesque crucifixes
A Spanish copper by Bartolomeo Cavarozziby Giuseppe Porzio (from Nuovi Studi 26, 2021 anno XXVI)A hitherto anonymous and unpublished copper painting offers new evidence of Bartolomeo Cavarozzi's stay in Spain
The sleeping enigma of the Arundel Pietà by Cosimo Rosselliby Davide Civettini (from Nuovi Studi 26, 2021 anno XXVI)In the castle of the Dukes of Norfolk, one of the greatest enigmas of the Florentine Quattrocento lives: a Pietà attributed to Cosimo Rosselli
Why would the rich showcase the poor: the art of Giacomo Cerutiby Roberta D’Adda & Enrico Valseriati The 18th century depictions of the poor by Giacomo Ceruti was extensively collected and displayed by the nobles in Brescia. Here is why
Failed sales and bizarre manners: two paintings by Paolo Paganiby Paola Apreda & Odette D’Albo (from Nuovi Studi 26, 2021 anno XXVI)Far from their birthplace and distant from their context, the strange destiny of two Baroque paintings would strike a chord with their maker
The suicide of an ancient politician in a Lorenzo De Ferrari paintingby Piero Boccardo (from Nuovi Studi 26, 2021 anno XXVI)Misunderstood multiple times, a painting in the Royal Palace of Turin is recognized as Lorenzo De Ferrari depicting Themistocles's suicide
Is tragedy timeless? The contemporaneity of Roger-Edgar Gilletby Sofia SilvaThe self-exile of Roger-Edgar Gillet from Art Informel to pursue figuration soaked in tragedy has stood the test of time
A poet praised for his silence: Girolamo Casio painted by Boltraffioby Cristina Quattrini (from Nuovi Studi 26, 2021 anno XXVI)A new interpretation of the “Allegory of Girolamo Casio” by Boltraffio, which celebrated the poet’s gift for silence and loyalty to the Medici
The story of the Demidoff Triptychby Alberto LenzaAnalysis, collecting history and attributive hypotheses regarding a vibrant triptych whose mysterious author today is no other than the Master of the Demidoff Triptych
Giovanni Comin’s Putto with a Skull and a Bookby Maichol ClementeAn analysis of a 17th century Venetian Baroque sculpture by Giovanni Comin, which meditates on death and defeats the call to worldly goods
A history of light in Renaissance art through Olafur Eliassonby Arturo GalansinoThe current show of Olafur Eliasson "In Our Time" at Palazzo Strozzi is the ground onto which to build a history of light in the Renaissance
Walter Monich: from Milan’s Duomo to Angevin Abruzzoby Luca Siracusano (from Nuovi Studi 26, 2021 anno XXVI)Stylistic analyses suggest Walter Monich is the author of the Annunciation in Tocco da Casauria, today in the Bargello Museum
A painter from Umbria or Marche, a quasi-Rinaldo di Ranuccioby Angelo TartuferiThe compelling analysis of a late 13th century painted crucifix, with its shifting attributions and historical relevance
Private Renaissance: Antonio Minello’s Apolloby Andrea BacchiBetween different attributions, owners, and interpretations, we tell the troubled story of the carved Apollo by Antonio Minello
Giacomo Jaquerio and Castello della Manta: new attributionsby Simone Bonicatto (from Nuovi Studi 26, 2021 anno XXVI)Between the Duchy of Savoy and the Marquisate of Saluzzo: a new proposal for Giacomo Jaquerio in Carmagnola and some reflections on the Manta Castle cycle
