The Getty pays 30 millions for Gentileschi’s Danae, but the nano Raphael stays in Europeby Stefano Pirovano
From Bermondsey to South Bermondsey, will artists endure forthcoming gentrification?by Maria do Carmo M. P. de Pontes
Peeking into the unwritten future of contemporary art galleries’ depotsby Maria do Carmo M. P. de Pontes
Boijmans Public Depo project approved: how will art collectors respond to its revolution?by Stefano Pirovano
58 out 77 lots of Taubman’s collection were bought at Sotheby’s: but all the top pieces came from art dealersby Stefano Pirovano
The day after 200.000 people attended Frieze and Fiac someone have to make a decisionby Stefano Pirovano
London vs Paris: 60 portraits by Goya reply to the Medicis’ epiphany at the Jacquemart Andréby Stefano Pirovano
“Florence, Portrait at the Medicis Court”: a seminal show that works better than any economic databy Stefano Pirovano
In the day of Tsipras’ victory what is better than peeping into the blossoming of Greek art residencies?by Stamatia Dimitrakopoulos
