Identity, geography and gender in Aziza Kadyri’s practice by Denis MaksimovAziza Kadyri delves into the fluidity of her origins, transforming memory into a functional emotion.
Magnus Frederik Clausen, painting as time goes byby Giulia PollicitaBy painting time Magnus Frederik Clausen suggests a procession of memorable moments, in the course of an ordinary day.
Federico Cantale, sculptural axonometriesby Valentina BartalesiFederico Cantale works with friendly forms, the result of a rigorous vision that sees in all things their deepest norm.
Julija Zaharijevic: voids of realityby Katharina HausladenJulija Zaharijevic focuses less on what is and more on what could be and thus alienates the perception of the everyday, the familiar.
Louis Osmosis is staging a social comedyby Carlo PradaLouis Osmosis contextualizes each element by what is next to it, so as to make interpretation potentially endless
Monika Emmanuelle Kazi: the long gameby Brit BurtonThe symbols and systems that Monika Emmanuelle Kazi has created to define her work are a guiding point to the artist’s unique lived experience
Kelsey Isaacs: synthesizing the layers of a plastic sunby Joel DeanKelsey Isaacs reverses the banal glow of a simulated world into bright, meticulous paintings to reflect an increasingly paradoxical reality
Painting genealogy with Gritli Faulhaberby Dara JochumIn an attempt to resist the coercion of style, Gritli Faulhaber discusses painting through painting to rethink the medium's history
Romeo Gómez López: critique of a conservatory natureby Samantha OzerWorking across media, artist Romeo Gómez López approaches culture with erotic vision and unexpected parallels
Armin Lorenz Gerold: The city unfolds in soundby Dara JochumBy using text, alongside sculpture, video, and installation Armin Lorenz Gerold seeks not just to make sound visible, but to forge a different kind of image.
Peggy Franck: breath slowlyby Stefano PirovanoWith Peggy Franck and existence in the process of defining identity that we feed by working, or by expanding painting
Room #3 (Fischli, João, Coltorti, d’Orgeval)by Antonio de MartinoClaudio Coltorti, Martin d’Orgeval, Gina Fischli and Francesco Joao create an hangover scenario, trying to paste together all that happened (Hussenot at CFAlive)
Lotte Andersen and the forces that lead us through historyby Samantha OzerLotte Andersen questions cultural symbols that normalise past narratives of identity, power, oppression and privilege
Guillaume Dénervaud: as beautiful as post-apocalyptic can beby Samuel HaitzGuillaume Dénervaud forms a delicate interpretation of a post-apocalyptic scenery, managing the effects of our carelessness towards our environment
Maren Karlson: effects and defectsby Stefano PirovanoMaren Karlson studies continuity between human being and environment, science and spirituality, individual and collective body
Hanne Lippard: “The mouth is always my favourite medium”by Lilou VidalA portrait of Hanne Lippard, an artist whose text- and performance-based work reveals the emotional and political values of semantics
Alexandra Metcalf and the totalities of current lifeby Piero BiselloA take on the recent artworks by New York-based Alexandra Metcalf: the crafts, the themes, the feels, the wonders
Laura Langer: coordinates, constellations, corporealityby Luzie MeyerBoth in its formal explorations and in its content matter, the work of Laura Langer, like that of a poet, is driven subconsciously
Doris Guo: traces of people, places, and politicsby Victoria DurnakFrom the relationship between mother and daughter to Sino-American culture, which Doris Guo resolves with the grace of the concept
Institutional negotiations: on the art of Daniel de Paulaby Jacopo Crivelli ViscontiSocietal commentary permeates the neo-conceptualism of Brazilian artist Daniel de Paula, evoking art's potential in the polis of today
