Aesthetic communities in the work of Pol Taburetby Isabella CostabileThrough symbolic spaces like the yard and the trap house, Pol Taburet blends cultural awareness with entertainment’s aims
Sara Deraedt: sous videby Emile RubinoSara Deraedt paradoxically reinvests visuality by operating a shift of the discursive impulse away from words
Cosima zu Knyphausen and her imprecise skeletonsby Piero BiselloThe paintings of Cosima zu Knyphausen persuade you to ask what surrounds them, circulating motifs and subtle atmospheres, dismissing style.
Naoki Sutter-Shudo, monuments and iconsby Samantha OzerIn crafting speculative worlds on a shrunken scale, Naoki Sutter-Shudo dislocates us from the abstraction of the impending future, allowing a site for contemplation of reality
Henrik Potter: HINGEby Céline MathieuThe work of Henrik Potter is not the in-between. It is more the and and. It’s a mutuality, a literal enjambment
Marina Xenofontos, fluidity is a chrismby Stefano PirovanoMarina Xenofontos' poetic loops entail independent words, images and forms, that fluidity turns into a discourse
At the tender edge of violence: Fin Simonettiby Veronica GisondiSpaces of worship constitute a fruitful field of inquiry for Fin Simonetti due to their symbolic value and particular function, that is, of public places that harbour and feed collective beliefs
Estrid Lutz and rootless cyberpunks todayby Piero BiselloEstrid Lutz's dislike for finishedness, common beauty and constrains makes her a kin to previous renovators of punk attitudes (and surfers)
Justine Neuberger: coughing up a strand of angel hairby Céline MathieuPreferring her goofier, odder doodles, Justine Neuberger develops her swirly figures. "And then there is what the paint wants to do."
Every ticket wins: hyperpositivity in the work of Elif Saydamby Miriam BettinElif Saydam’s references are literal but overstimulating. The overflow of information makes you at times dizzy—and tired
Josefine Reisch: if history is a stageby Veronica GisondiJosefine Reisch and not letting yourself "become part of the killer story." An essay inspired by the carrier bag theory of Ursula K. Le Guin
Larissa De Jesús Negrón’s path to enlightenmentby Veronica Gisondi"Things tend to build up and then you’re left with a bunch of anxiety and jealousy that you don’t understand." On Larissa De Jesús Negrón
Elene Chantladze: where art landsby Stefano PirovanoAn artist by instinct and not by profession, Georgian Elene Chantladze shows the self-confidence of an established master
Ser Serpas walksby Dora BudorSer Serpas skims the surfaces of the streets and lots, "attempting to rip something from the refuse piles"
Frankenstein Magazine is out for a gameby Stefano PirovanoIf you are tired of being stuck at home, a comic book with no comic book artist is there to help win over today's mental numbness
Some of Jean Katambayi Mukendi so farby Piero BiselloSome the most salient aspects of the Jean Katambayi Mukendi's art, between Lubumbashi, Brussels and New York
HC: thinking with more than one mindby Francesco TenagliaWhat or who is HC, really? "Its humorous approach proved to be a pretty efficient tool to create unexpected situations."
Raffaela Naldi Rossano’s invocation of the ancestorsby Sonia D'AltoRaffaela Naldi Rossano shows how genius loci and personal memory come together in the search for an alternative society
Bringing light and liberation: Dalila Dalléas Bouzarby Ricko LeungDalila Dalléas Bouzar questions colonialism and patriarchy, trying to turn art into an instrument of liberation
Chalisée Naamani presents fashionby Piero BiselloChalisée Naamani's painterly installations expose what surrounds her today: the fashion-of-the-day that is not necessarily fashionable.
